Keepsake Boxes

Box making requires careful timber selection in order to provide a pleasing grain pattern, harmony and overall balance to the piece. For mitred boxes I decide from the start which part is going to be the focus - the lid or the sides. If the lid is to be the focus (like this set) then I select wood with a wild grain, strong character or tone. I then pair it with a wood that has a calmer and more regular grain pattern for the sides of the box. This balance of wild and calm grain works because the differing woods are complimenting each other rather than clashing against each other.

The blue decoupage paper adds a splash of colour that elevates the design - the rich red / brown tones of the wood are enhanced by the deep blue of the paper.

Blue decoupage paper adds a spash of colour to the inside of the boxes

Wild grain patterns provide the focus on the keepsake box lids.

I often make small boxes as a small batch production of three of four at a time. This is because the setup for each stage of the production process is often the longest part. Cutting the mitres on the table saw is simple and quick once the precise angle is set for the cut. Setting the blade often involves multiple test cuts and small adjustments to dial the cut into the perfect position. So it makes sense to make several boxes at a time once the setup is correct.

Pairing character grain lids with a calmer straight grain wood for the boxes. From left to right: Ash box with Olive Ash Lid / Quarter Sawn Oak box with Pippy Beech Lid / Elm box with Burr Elm lid